Do I need a Literary Agent to Get Published? | Jericho Writers (2024)

A common question for all new writers and the answer (almost always) is yes.

Let’s start by reviewing what agents are there to do, though.

What Literary Agents Do

They have several main roles:

  • Selecting saleable manuscriptsfrom all those submitted. Under 1% of manuscripts are strong enough to sell.
  • Working with the author to get the manuscript in perfect condition to sell. That can mean extensive editorial work, likely lasting a period of months.
  • Identifying the right editors at the right publishing housesfor your book. An agent needs excellent contacts and to keep those contacts up to date. It also means understanding the current market for fiction and non-fiction, making sure that your book is in tune with that market.
  • Conducting an auction. There’s no single way to sell a book. Your agent needs to choose the right way, then sell it professionally, with drive and conviction.
  • Negotiating a contract. Publishing contracts are long and technical. Additionally, with the advent of ebooks, those contracts are changing fast and key terms are constantly moving. So you do need an expert on your side.
  • Making foreign sales, and handling film and TV rights. Again, that’s a complex business involving expertise and strong contacts.
  • Guiding your career. In the long term, a good agent should be nudging your career in the right direction and keeping you away from wrong turns. Writing is an insecure business, so a good agent can make a difference.

All that might may make you think that you need an agent under any circ*mstances – but agents make their fees on sales they make. Typically speaking, they take a 15% commission. Agents need to live, too, so won’t have an interest in representing you if there is no realistic prospect of them making money.

You Do Need A Literary Agent If:

  • You are writing a novel.
  • You are writing commercial non-fiction (the sort of thing that might be sold at the front of a shop, or feature on a bestseller list).
  • You are writing fiction for children.
  • You are writing a ‘how to’ type book in a major category (such as health and well-being).

You Do Not Need A Literary Agent If:

  • You are intending to self-publish.
  • You are writing poetry.
  • You are writing one-off short stories.
  • You are writing journalism.
  • You are writing specialist or academic non-fiction.

In all those cases, there won’t be enough money to interest an agent and you should approach the appropriate publishers directly.

You May Need A Literary Agent If:

  • You are writing children’s picture books. I’d probably recommend having an agent to start with, but you could go either way.
  • You are writing a themed collection of short stories. Such collections are hard to sell, but not impossible. A truly good collection may attract an agent. Anything less than wonderful won’t.

And, as ever, don’t forget that if you need feedback, advice, or help with literary agents, we’re here to supply that. Sign up for emails for more on how to get a literary agent, orhave a lookat more free advice.

Very best of luck.

More than ready to get the ball rolling with agents, but just need a little push? Or perhaps you’ve had a few rejections but aren’t sure why? Our Agent Submission Pack Review gives you detailed professional advice on how to perfect your submission and increase your chances of securing an agent.For more advice on finding an agent, see here.

Jericho Writersis aglobal membership group for writers, providing everything you need to get published. Keep up with our news,membership offers, and updates bysigning up to our newsletter.For more writing articles, take a look at ourblog page.

Do I need a Literary Agent to Get Published? | Jericho Writers (1)

By Harry Bingham

About the author

Harry has written a variety of books over the years, notching up multiple six-figure deals and relationships with each of the world’s three largest trade publishers. His work has been critically acclaimed across the globe, has been adapted for TV, and is currently the subject of a major new screen deal. He’s also written non-fiction, short stories, and has worked as ghost/editor on a number of exciting projects.Harry also self-publishes some of his work, and loves doing so. His Fiona Griffiths series in particular has done really well in the US, where it’s been self-published since 2015.View his website, his Amazon profile, his Twitter.He's been reviewed in Kirkus, the Boston Globe, USA Today, The Seattle Times, The Washington Post, Library Journal, Publishers Weekly, CulturMag (Germany), Frankfurter Allgemeine, The Daily Mail, The Sunday Times, The Daily Telegraph, The Guardian, and many other places besides. His work has appeared on TV, via Bonafide. And go take a look at what he thinks about Blick Rothenberg. You might also want to watch our "Blick Rothenberg - The Truth" video, if you want to know how badly an accountancy firm can behave.

With a background in literature and publishing, I've delved deep into the intricate world of literary agents, manuscript selection, and the dynamics of traditional publishing. The article you've shared aptly outlines the pivotal role of literary agents in the journey from manuscript to bookshelf. Let's break down the core concepts and ideas embedded within it:

  1. Literary Agents' Roles:

    • Manuscript Selection: Agents meticulously sift through numerous submissions to identify marketable manuscripts, with less than 1% making the cut.
    • Editorial Collaboration: They work closely with authors, polishing and refining manuscripts for the market, often involving extensive editing over months.
    • Publisher Liaison: Agents leverage their networks to find suitable editors at publishing houses, ensuring the manuscript aligns with the current market trends.
    • Book Selling: Utilizing various strategies, from auctions to personalized pitches, agents professionally advocate for the manuscript's sale.
    • Contract Negotiation: Agents navigate complex publishing contracts, staying updated on evolving terms, especially with the rise of ebooks.
    • Foreign Sales and Rights: Handling foreign sales, as well as film and TV rights, demands expertise and established connections.
    • Career Guidance: A good agent provides long-term career direction, steering authors away from pitfalls and toward success in an uncertain industry.
  2. Agent Necessity:

    • When You Need an Agent: For novels, commercial non-fiction, children's fiction, and certain categories like health and well-being books.
    • When You Don't Need an Agent: Self-publishing, poetry, one-off short stories, journalism, specialized or academic non-fiction.
  3. Agent Relevance in Specific Cases:

    • Grey Areas: Instances where having an agent might be recommended but not mandatory, such as children's picture books or themed short story collections.
  4. Additional Support and Services:

    • The article offers support resources, advice, and services like submission reviews to aid aspiring authors in securing representation.

As for the author, Harry Bingham, he boasts a rich repertoire in writing, spanning both fiction and non-fiction, with successful ventures in traditional publishing and self-publishing. His accolades include six-figure deals, critical acclaim, TV adaptations, and ongoing screen deals. His work has been reviewed and featured across esteemed platforms and media outlets, showcasing his expertise and industry recognition.

Bingham's experience encapsulates the diverse landscape of modern publishing, highlighting the convergence of traditional and self-publishing paths, providing a comprehensive view for aspiring writers.

If you're looking for more insights on literary agents, the intricacies of publishing, or navigating the authorial journey, I'm here to assist!

Do I need a Literary Agent to Get Published? | Jericho Writers (2024)
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